Signet 35 a significant performer

The Signet 35 family -- Civilian, Army, Air Force.

Got lucky shopping at the local thrift store: Scored a really sweet Air Force version of the Signet 35 at a price that could not be avoided, and it got me thinking that maybe I should actually run some film through one of these wee beasties.

The Signet 35 is an odd duck. It replaced the Kodak 35. Sold beginning in the early 1950s, it featured a nice design and built-in rangefinder.  The Kodak 35 it replaced was a Frankenstein, with the rangefinder a clumsy add-on.

Unlike the other Signet cameras, and the Kodak 35s, it is made of cast aluminum and all-metal construction.  The others are bakelite with metal parts screwed on. It is clear this was made to be a serious camera, able to take some knocks.

U.S. Air Force version

Word on the street is that it was meant originally for the military. It was to be a simple but sturdy camera for use on the platoon level to document combat stuff that didn't need a professional. In that vein, it's small, simple, sturdy, just the thing to hand to a guy carrying a rifle and tell him to "take some snaps." Half an hour with the instruction manual and you're there.

It has a simple 4-speed-plus-B 25-300 shutter and a self-explanatory exposure calculator on the back. There are two hyper-focal marks on the focus scale. It is all designed to make picture taking as fool-proof as a higher-level camera in 1953 can make it.

As mentioned above, it came in military versions: Black anodized aluminum and leather for the Air Force, green leather/black anodized aluminum for the U.S. Army Signal Corps. The civilian model, in gray leather and polished aluminum, is exactly the same camera. Production went on for a decade, so there's lots of the civilian ones around.

The military models are scarce collectibles, selling in the $600-plus range; the civilian models are less than $75 in good working order. On-line resources show how to clean the usually-hazy viewfinder and revive an aged balky shutter.

U.S. Army Signal Corps version

They're pretty cameras.  The 1950s design is subdued and clean, with big knobs to wind the film and fire the shutter. The controls are all easy to use even with gloves. It fits in the hand comfortably, with a nice rounded form and good heft to help hold it steady. At the same time, it is compact, solid, easy to carry in a pocket or bag.

Is it any good?  That all depends on the lens.

The old Kodak 35s -- both with and without rangefinder -- had a Kodak "anastigmat" lens, which is a simple lens that does OK, I guess. You get pictures. They're nothing to write home to mother about as far as definition, sharpness go. For snaps to put in the album, they're fine.

Kodak 35 RF

The Signet 35 has a 44mm Ektar. Very cool.

Ektar lenses were Kodak's premium optics, the top of the line, pro grade, carefully made and installed.  They are similar to the Zeiss Tessar, which may or may not mean anything to you. All you need to know is that Leitz, Zeiss and, yes, Kodak, all used the Tessar formula to make really wonderful optics. Many still do. I have seen this particular Ektar compared to the legendary Leitz Elmar.

So I loaded a roll of Kodak Plus-X (which is now discontinued but was being sold when these cameras were) into my civilian model. I grabbed a light meter and set out.

I wandered down some new-to-me streets here in Ogden -- Lincoln over near 28th Street, then over around by the LDS temple down on 22nd Street. The dog and I just rambled, snapping this and that. We finished on Two-Bit street taking random street scenes just to burn the rest of the roll.

Gotta tell ya: Very impressed.

The first print I made was of this 1970s Chevy (Impala?)  that the owner said he's owned for more than 40 years.  It's more-or-less restored, he's very proud of it, and it looked real nice.  I promised not to put it on eBay as I took a shot.

I got very excited as this print came up in the developer and I took it out of the fix -- I'd focused on the back bumper and it's really clear and sharp. Tonal rendition is as much the film as the lens, but the image is crystal clear and, as I said, very sharp.  The negative would go larger than 8 by 10 inches easily. I would rate this image beside one shot with one of my Leicas.

Same with the other prints, which I scanned for this blog: The negatives were a bit dense, which tells me the shutter speeds on my example are probably running a bit slow after 65 years, but making prints was no problem and they were all very good. The focus is very accurate, the images are very sharp.

I really don't like the kind of viewfinders these and many others of that era have, including the screw-mount Leicas.  They're a simple look-through optic with a very tiny eyepiece that you have to shove your eyeball up against.  Glasses wearers find these difficult.

There's also no bright-line or sharply defined edge inside the viewfinder, so you have use a bit of zen to tell where the edge of the frame is. I suspect the viewfinder sees a bit less than the lens does to allow for parallax error when you focus close.

That said, the triangular rangefinder spot is big and easy to see.  The final prints look to take in about what I wanted as far as what I remember seeing through the viewfinder. Once you remember to manually cock the shutter after advancing the film, shooting it is uncomplicated.

All-in-all it's a sweet little camera. It's not the camera I'd take on vacation -- I really prefer wider-angle lenses and interchangeable lenses -- but if I were forced to it would certainly do good job.

If you see one at an antique shop or flea market, give it a look, and if you find a black or green one jump on it.

Focus was accurate.

Mailboxes make interesting still-life displays

Horses on Two-Bit Street

A guy on Lincoln Ave. built this little memorial to Ogden's founding

Farr's Ice Cream is an Ogden institution

Sadie's coffee shop is also an Ogden institution